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Welcome to the second installment of Kink's School of Submission, this time featuring Kristen Scott. S.O.S. is four days of mental and physical torment and challenges. It's not for just any girl. Each one has petitioned to be here, and is then hand-selected by The Pope. The experience is as real as you will ever see. There is no acting of any kind, and the raw emotion of exactly what she is experiencing is something rarely captured on video. The intent of School of Submission is to show this, and to pull back the curtain to show you see the deepest and most personal of experiences of this performer. We begin with an in depth interview between Kristen and The Pope. This is a time for discovery for both of them, and it helps The Pope set a path for Kristen over the next 4 days. Kristen is found with a small grin, staring into a mirror in the dungeon, as if she were very pleased with where she is and what is about to happen. The Pope enters and immediately begins her journey by instructing her on basic expectations that he has for her. She is told to undress while being asked questions and expected to stay focused. As he inspects her body he pokes and prods her to find out what makes her purr, as well as squeal. Kristen is now very sexually charged and it is becoming more difficult for her to stay focused. This is his intent, and she will surely pay for her slip. The Pope slowly tears away layer after layer of Kristen's walls with hopes of getting deep inside of her mind and helping her grow from the experience. At this point she is putty in his hands, yet he has only just started. Her orgasms are held at bay until he sees fit to allow her any, and when he does she can barely stand. Every second is sexually-charged, from the tease and denial to the brutal caning, and everything in between.

Welcome to the second installment of Kink's School of Submission, this time featuring Kristen Scott. S.O.S. is four days of mental and physical torment and challenges. It's not for just any girl. Each one has petitioned to be here, and is then hand-selected by The Pope. The experience is as real as you will ever see. There is no acting of any kind, and the raw emotion of exactly what she is experiencing is something rarely captured on video. The intent of School of Submission is to show this, and to pull back the curtain to show you see the deepest and most personal of experiences of this performer. We begin with an in depth interview between Kristen and The Pope. This is a time for discovery for both of them, and it helps The Pope set a path for Kristen over the next 4 days. Kristen is found with a small grin, staring into a mirror in the dungeon, as if she were very pleased with where she is and what is about to happen. The Pope enters and immediately begins her journey by instructing her on basic expectations that he has for her. She is told to undress while being asked questions and expected to stay focused. As he inspects her body he pokes and prods her to find out what makes her purr, as well as squeal. Kristen is now very sexually charged and it is becoming more difficult for her to stay focused. This is his intent, and she will surely pay for her slip. The Pope slowly tears away layer after layer of Kristen's walls with hopes of getting deep inside of her mind and helping her grow from the experience. At this point she is putty in his hands, yet he has only just started. Her orgasms are held at bay until he sees fit to allow her any, and when he does she can barely stand. Every second is sexually-charged, from the tease and denial to the brutal caning, and everything in between.

4 years ago 60643 4:00
Although this is the second installment in Alis Locanta's

Although this is the second installment in Alis Locanta's "Incandescence" series, it is assigned no volume or chapter number, and none is needed. Because the narrative is so simple and concisely encapsulated by the subtitle "A Doll's Tale" each actress who performs in the solo series has free rein to put her own unique stamp on the title. And, as is made abundantly clear in this instance, "Incandescence" is particularly well suited as an introductory vehicle for a new star. French-Canadian Ariel Rebel, making her first ever appearance in a Sexart production, is assigned the doll role here, and with her big brown eyes and delicate features one might consider this an instance of type casting. But Rebel not only looks the part, she also convincingly embodies a doll undergoing a vivid and intense if only temporary experience as a living, breathing, feeling woman. Standing in a room with numerous lamps as well as bare bulbs hanging from the ceiling Rebel makes a fine first impression in her short, tight skirt, black hose and garters, and sheer black blouse over a sheer black bra. Although the camera cuts away periodically and moves in for detailed close-ups, its major role is of mirror, and Ariel gazes into it intently as her newly discovered erotic desires begin to percolate. The process of awakening and arousal isn't instantaneous, but once it's begun there's no stopping it, and after she's groped, stroked, and fingered herself to a fever she drops into a squatting position and vigorously probes herself to a thrilling, expressive, finish. An epilog that runs under the credits is subtitled "A 'Lube Experience' Dedicate to Rose," and features an entirely and adorably human Rebel indulging in a brief bit of oil-assisted solo play that everybody (Sexart insider or not) is sure to enjoy.

4 years ago 1997 1:52