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Katya Rodriguez is NOT happy with her dad's new mail-order bride, Mckenzie Lee. Sure, she can understand WHY her dad married Mckenzie, she's hot as hell, but she's suspicious of why Mckenzie married her dad! If her new step-mom thinks she's going to get his money, she's in for a rude awakening. Her dad's so cheap he didn't even start a trust fund for her! Even though Mckenzie claims that she married Katya's father for love, Katya doesn't buy it and is going to prove otherwise.Katya begins snooping around for evidence of Mckenzie going behind her dad's back but each lead turns up empty-handed. Finally, she finds a piece of paper hidden away in a drawer that shows a bank account opened by Mckenzie. She confronts Mckenzie about it and instantly feels guilty when Mckenzie reveals that she opened it in Katya's name! She convinced Katya's father to open a trust fund for her, since Katya had voiced how important it was to her.Katya is embarrassed about the way she behaved and apologizes when Mckenzie calls her out on it. Katya then admits that part of the reason why she was so hard on Mckenzie is because she's actually jealous of her dad. Mckenzie is an amazing woman... and Katya wants to make it up to her for being so horrible!It doesn't take too much convincing to get Mckenzie to enjoy a secret tryst, especially since Mckenzie just wants them to get along like mother and daughter. They eagerly go down on each other, wanting nothing more than to taste each other's pussy and writhe with delight. Now that the misunderstanding has been cleared up, it looks like their relationship is off to a much better start!

Katya Rodriguez is NOT happy with her dad's new mail-order bride, Mckenzie Lee. Sure, she can understand WHY her dad married Mckenzie, she's hot as hell, but she's suspicious of why Mckenzie married her dad! If her new step-mom thinks she's going to get his money, she's in for a rude awakening. Her dad's so cheap he didn't even start a trust fund for her! Even though Mckenzie claims that she married Katya's father for love, Katya doesn't buy it and is going to prove otherwise.Katya begins snooping around for evidence of Mckenzie going behind her dad's back but each lead turns up empty-handed. Finally, she finds a piece of paper hidden away in a drawer that shows a bank account opened by Mckenzie. She confronts Mckenzie about it and instantly feels guilty when Mckenzie reveals that she opened it in Katya's name! She convinced Katya's father to open a trust fund for her, since Katya had voiced how important it was to her.Katya is embarrassed about the way she behaved and apologizes when Mckenzie calls her out on it. Katya then admits that part of the reason why she was so hard on Mckenzie is because she's actually jealous of her dad. Mckenzie is an amazing woman... and Katya wants to make it up to her for being so horrible!It doesn't take too much convincing to get Mckenzie to enjoy a secret tryst, especially since Mckenzie just wants them to get along like mother and daughter. They eagerly go down on each other, wanting nothing more than to taste each other's pussy and writhe with delight. Now that the misunderstanding has been cleared up, it looks like their relationship is off to a much better start!

4 years ago 1347 6:15
Coming off a crazy night of drugs and debauchery, the DP Brothers Small Hands and Xander Corvus are not happy their rich dad James Bartholet is ragging on them for maxing out their credit cards. He wants them to get a job, but all they do is party, and grieve the loss of their mother. Dad is kicking them out of house, unless they can pay rent, but it's okay for his replacement wife Lea Lexis to spend all his money, dishonoring their beloved late mother. Feeling pretty entitled to expend some revenge, the DP Brothers feed the mail order bride a story. Here in America, it is customary to mark an occasion of marriage, by sleeping with the sons of her husband. 'In America,' they caution their stepmother, 'family traditions aren't taken lightly.' In that case, she completely understands, even if this particular custom does sound a little strange. If there's one thing Lea believes in, it's the importance of family. She concedes, it would be wrong if she doesn't do her part to bring the family closer together. Inside the shrine of their dead mother, beside the urn that is her final resting place, the DP Brother's whip out their stiff dicks, and Lea begins to stroke them both at the same time. She takes them in her mouth, one cock at a time. Then the boys fuck her in the pussy, one cock at a time. She's excited to try anal sex, because her boys say, it's as American as it gets! Babbling between orgasms in her native Romanian, it's clear this stepmom loves taking two cocks at the same time. It makes her cum hard when her boys are happy. As Small and Xander switch up their dicks, double penetrating her wet pussy and tight asshole, they fuck her hard till they cum on her face. Then they say 'CHEESE!' and smile for the camera. A 'fuck you' photo memento is left someplace conspicuous for Dad. Now, if only those boys could apply themselves like that to getting a job!

Coming off a crazy night of drugs and debauchery, the DP Brothers Small Hands and Xander Corvus are not happy their rich dad James Bartholet is ragging on them for maxing out their credit cards. He wants them to get a job, but all they do is party, and grieve the loss of their mother. Dad is kicking them out of house, unless they can pay rent, but it's okay for his replacement wife Lea Lexis to spend all his money, dishonoring their beloved late mother. Feeling pretty entitled to expend some revenge, the DP Brothers feed the mail order bride a story. Here in America, it is customary to mark an occasion of marriage, by sleeping with the sons of her husband. 'In America,' they caution their stepmother, 'family traditions aren't taken lightly.' In that case, she completely understands, even if this particular custom does sound a little strange. If there's one thing Lea believes in, it's the importance of family. She concedes, it would be wrong if she doesn't do her part to bring the family closer together. Inside the shrine of their dead mother, beside the urn that is her final resting place, the DP Brother's whip out their stiff dicks, and Lea begins to stroke them both at the same time. She takes them in her mouth, one cock at a time. Then the boys fuck her in the pussy, one cock at a time. She's excited to try anal sex, because her boys say, it's as American as it gets! Babbling between orgasms in her native Romanian, it's clear this stepmom loves taking two cocks at the same time. It makes her cum hard when her boys are happy. As Small and Xander switch up their dicks, double penetrating her wet pussy and tight asshole, they fuck her hard till they cum on her face. Then they say 'CHEESE!' and smile for the camera. A 'fuck you' photo memento is left someplace conspicuous for Dad. Now, if only those boys could apply themselves like that to getting a job!

4 years ago 1776 6:15
Alina Lopez is on the phone solidifying her plans for a big party. Her parents are out of town and she's planning on taking full advantage. As she juggles all her incoming calls, someone knocks at her bedroom door. Baffled since she's home alone, she introduces herself and asks the stranger who she is. Carter Cruise introduces herself as the babysitter Alina's mom hired to look after her. Alina can't believe her mother would hire a babysitter; she just turned 18! When Alina asks Carter if she's going to stay the whole weekend, Carter confirms her suspicions. Annoyed, Alina goes back to her room and calls her friends and cancels the party. Carter puts her purse down and walks into Alina's room and sits on her bed. Alina is really annoyed at the fact that she ruined her weekend and lets Carter have it. Carter tells her that she needs money for college and didn't mean to rain on her parade. Carter suggests they have a party of their own. Alina tells her she's not a lesbian and she's not into any of that stuff. Carter asks her if she thinks girls are pretty. Alina tells her that she does indeed but that doesn't mean she's into them. When Carter asks her if she's ever kissed one, Alina tells her she hasn't. Carter laughs, asking her that if she's never tried it then how could she possibly know if she likes it or not? When Carter tells Alina that she finds her pretty, Alina starts dropping her guard a little. When Carter starts kissing her neck, Alina finds herself liking it more than she thought she would!

Alina Lopez is on the phone solidifying her plans for a big party. Her parents are out of town and she's planning on taking full advantage. As she juggles all her incoming calls, someone knocks at her bedroom door. Baffled since she's home alone, she introduces herself and asks the stranger who she is. Carter Cruise introduces herself as the babysitter Alina's mom hired to look after her. Alina can't believe her mother would hire a babysitter; she just turned 18! When Alina asks Carter if she's going to stay the whole weekend, Carter confirms her suspicions. Annoyed, Alina goes back to her room and calls her friends and cancels the party. Carter puts her purse down and walks into Alina's room and sits on her bed. Alina is really annoyed at the fact that she ruined her weekend and lets Carter have it. Carter tells her that she needs money for college and didn't mean to rain on her parade. Carter suggests they have a party of their own. Alina tells her she's not a lesbian and she's not into any of that stuff. Carter asks her if she thinks girls are pretty. Alina tells her that she does indeed but that doesn't mean she's into them. When Carter asks her if she's ever kissed one, Alina tells her she hasn't. Carter laughs, asking her that if she's never tried it then how could she possibly know if she likes it or not? When Carter tells Alina that she finds her pretty, Alina starts dropping her guard a little. When Carter starts kissing her neck, Alina finds herself liking it more than she thought she would!

4 years ago 18591 6:15
Natalie Mars and Haley Reed are standing together on the side of a desert road. Despite being in the middle of nowhere, the women are calm and confident, casting each other flirty looks as they intimately slide their hands into each other's back pockets. Then, they see him -- some rich guy flaunting his stuff as he drives down the road towards them. When he spots the two gorgeous women hitchhiking, he can't resist pulling over and inviting them into his convertible. Having just run into good fortune, he's all-too-happy to brag about it while a mysterious briefcase sits in the backseat. While Haley distracts the guy, Natalie sneaks a peek and discovers that the briefcase is loaded with money! As soon as she gets the chance, she gives Haley the signal. Within moments, the guy is unceremoniously dumped onto the side of the road. The girls speed off, gleefully throwing dollar bills to the wind, celebrating their win. They drive to the nearest cheap motel, as not to arouse suspicion, although they fully intend to arouse each other instead... As soon as the motel door is closed behind them and the briefcase is cast aside, they crash together in bed. As they strip each other down, they admire each other's naked bodies in the neon glow of the motel sign shining through the window. Basking in their glory, they eagerly go down on each other. As Natalie licks Haley's pussy, Haley sucks Natalie's cock... They can't get enough of the taste. Once they are both ready, they finally take each other for a wild ride. Yet, as they cuddle together in bed when they're exhausted, their life is about to get even wilder. Little do they know, the neon glow outside is soon replaced with the flashing red and blue of police lights...

Natalie Mars and Haley Reed are standing together on the side of a desert road. Despite being in the middle of nowhere, the women are calm and confident, casting each other flirty looks as they intimately slide their hands into each other's back pockets. Then, they see him -- some rich guy flaunting his stuff as he drives down the road towards them. When he spots the two gorgeous women hitchhiking, he can't resist pulling over and inviting them into his convertible. Having just run into good fortune, he's all-too-happy to brag about it while a mysterious briefcase sits in the backseat. While Haley distracts the guy, Natalie sneaks a peek and discovers that the briefcase is loaded with money! As soon as she gets the chance, she gives Haley the signal. Within moments, the guy is unceremoniously dumped onto the side of the road. The girls speed off, gleefully throwing dollar bills to the wind, celebrating their win. They drive to the nearest cheap motel, as not to arouse suspicion, although they fully intend to arouse each other instead... As soon as the motel door is closed behind them and the briefcase is cast aside, they crash together in bed. As they strip each other down, they admire each other's naked bodies in the neon glow of the motel sign shining through the window. Basking in their glory, they eagerly go down on each other. As Natalie licks Haley's pussy, Haley sucks Natalie's cock... They can't get enough of the taste. Once they are both ready, they finally take each other for a wild ride. Yet, as they cuddle together in bed when they're exhausted, their life is about to get even wilder. Little do they know, the neon glow outside is soon replaced with the flashing red and blue of police lights...

4 years ago 5160 6:15
AIRTIGHT INVASION Teen Uses All Her Holes to DP and Get Revenge on Male Captors A STATEMENT FROM LENA PAUL: I've never felt drawn to expressing my own personal trauma in my porn because I generally find it a little inappropriate to air your dirty laundry online. However, when Bree approached me to write a story for Pure Taboo, I felt it was an opportunity to share my own experiences in a serious adult piece. The parameters of my story stem from a recurring nightmare I had after being assaulted. I'd like to offer this project as my #MeToo, in that I wanted to create a story that women who've suffered trauma could feel empowered about watching. A lot of women who watch porn, particularly rough sex scenarios, after experiencing trauma feel a lot of shame about it, despite it being an extremely common fantasy (top 5 actually according to some studies) for women. It was my desire to thread the needle of empowering women while also placing my character in a seemingly dangerous or degrading setting to talk about how this juxtaposition can feel both complicated and pleasurable for viewers. I hope, in the end, that Airtight Invasion will continue our industry's conversations about female empowerment and representation. SCENE opens one night as a beautiful young woman named Veronica shuts down her family's house for the evening. Veronica is the daughter of a rich businessman with suspected ties to organized crime and she looks every bit like a mob boss' daughter, with a full face of makeup and flashy clothing. But, despite her grown-up appearance, Veronica is an anxious girl ... pacing through the different levels of her mansion and pleading with her father on the phone. It's the first time that she's been left alone for the weekend with only one guard on duty and Veronica does not believe he will be enough to protect her, especially from any of daddy's enemies. Her father is dismissive, telling her to calm down, she is 18-years-old, and that the guard is a trained professional. He and her mother will be home in the morning. Strutting into the kitchen, she takes a deep breath before agreeing and her father hangs up, leaving her to reflect for a moment in the silence of the room. She opens the fridge, grabs a bottle of water, and heads to the front door. The security guard, Bruno, is standing in front of it as he always does during the night shift. Opening the door, she says goodnight sweetly and offers him the water, which he takes gratefully. It's hot out. Veronica kisses him on the cheek and thanks him for always keeping her safe, before closing the door. Bruno turns back to his duties, standing on the front steps and sipping his water. He smiles at the thought of the sweet innocent girl. CUT TO TITLE PLATE Bruno is lying passed out on the front steps, the water bottle open and dripping beside him. Three men, dressed in black, step over him cautiously and open the door. It is not locked. They quietly file into the foyer and down through the various levels of the house to Veronica's room. She is sleeping in her bed, dressed in silk pajamas. They approach and stare down at her, each wearing black ski masks and breathing hard. The teen girl tosses for a moment before slowly waking up and staring straight at them. Her eyes go wide. 'You're coming with us,' one of them growls. Cut to black over sounds of rustling and resistance. 8 Hours Later. Veronica struggles to see. Something is over her head and she begs the men to remove it. They rip it off, a pillowcase, and, for the first time, she is exposed to her surroundings. She is being kept in a messy storage locker and surrounded by two of the men, who seem almost as anxious as she is. 'Who are you?' she mutters. The two men look at each other, before turning back. 'You are being held until your father pays us what he owes us,' one says. Veronica lowers her eyes in fear. Her hands are crudely tied together, and she winches at the ropes. 'Do you think you could please remove these?' She begs. 'I'm obviously not going anywhere.' The men look at each other again, debating what to do, before the other pops open a switchblade and cuts her hands free. 'You better sit still,' he meekly warns, 'or else!' Suddenly, a door opens and a third man, the eldest of the three, comes strutting in the room with a gun and a cell phone. He sees that Veronica is loose and immediately rushes over, leaving the door ajar, to berate the other men for untying her. They tell him to chill, she promised not to run, and besides ... they all know she has nowhere to go. Calming down, the third man gets right into Veronica's face and tries to intimidate her. He warns her not to cross them or try anything stupid. They are trained professionals. They don't care how they make their money at the end of the day ... and disposal is much easier than ransom negotiations. Veronica clams up and agrees with everything that the man, who is clearly the leader, says. He seems to take great satisfaction from this power trip and tosses the phone into the hands of the other two men. 'Use this burner, boys,' he barks, turning back and flashing a sadistic grin at Veronica. 'Time to call daddy!' 24 Hours Later. Veronica sits slumped in a corner, sweaty and anxious, while the men try to talk to her father. This is the fourth call they've placed since the heist, and her dad is sobbing on the other end of the line. He can put together some of the ransom but not everything they are asking for. They are being unreasonable, and he begs for leniency. He hasn't called the cops, after all. He is playing along. Finally, the leader hangs up on him angrily. This is not going as he had expected. He lashes out at the other two men, waving his gun around, and telling them that they are being too soft on the girl. If they had the balls to send her father a special delivery, it would wrap things up quickly. Veronica shrinks back and whispers that her father is just trying to negotiate. That's what he does. He's always been cheap. He has the whole amount. The leader grabs her. 'So, what the fuck do you recommend we try next, then?' He yells. 36 Hours Later. Veronica sits quietly in between the two men, as the leader yells into the phone. He is telling the father that he knows about the hidden safe in his office and all the reserves he keeps there. As they argue, Veronica tries to whisper a few key details to help the leader prove his point. The father claims he emptied that safe out months ago. There must be some other way. Without thinking, Veronica stands up and yells 'Dad, Please!' This causes the father to panic, hearing his daughter in distress. The leader hangs up the phone abruptly and spins around, as the other two cover her mouth and pull her back down to the ground. 'I told you not to do anything stupid!' He yells. Slowly, Veronica removes the hand from her mouth and says. 'That wasn't stupid, that was exactly what you needed. He's nervous. Now, you just have to make him terrified!' 48 Hours Later. The three men sit in a corner, away from the girl, debating over what to do. The two men are becoming very antsy, urging the leader to just get rid of Veronica and abandon the job. She watches and listens closely, biting her lip. The leader argues that they should stick it out, they just need to do something that will really fuck the man up and get him to cough up the whole amount. It needs to be a real threat, no more pussying around. The room goes silent. 'You should all fuck me,' Veronica says quietly. 'Do whatever the fuck you want. Just send my father the evidence. As soon as he sees his daughter like that, he will cooperate with you. No more pussying around.' The men look at each other in shock. 'Does she have Stockholm syndrome or something?' One of them laughs nervously. Veronica stands up, shaking, and starts to under her pajama top. 'But, you need to make it look rough, make it look you ruined me. All three of you need to be in on it. Inside of me. Airtight. I want this to be done as much as you do.' She takes off her pants and stands naked before them. The leader flashes a smile and starts to approach her, as the other man chimes in to protest. 'What if she is playing us?' The leader tells him to stop pussying around, like the lady said, and get his phone out. It's picture time. The leader rests his gun on the ground, kicking it to the side, as he peels off his clothes. 'Grabs the masks,' he tells the other man. 'We don't want to be recognized!' The three men strip down, put their masks back on, and approach Veronica. 'Are you ready, sweetheart?' The leader coos in her ear. She says YES and drops to her knees. BBBG Rough Sex Scene with Airtight DP penetration. Throughout the sex, they take turns taking photos. In the end, the three men give Veronica a full facial and make her pose for a picture. While they laugh and look at the photos (the audience never actually sees the photos), she quietly sneaks to the side of the room where the gun was tossed, grabs it, and points it in their direction. Cut to black as gunshots are heard. Over a black frame, a voice over of Veronica calling her father. She asks if he saw the photos. He says yes, crying. She tells him this will be the last time they let her speak to him unless he gives them what they want. Through tears, he agrees. She tells him to bring the full amount to a location that will be texted to him. He must come alone. He must not involve the authorities. He agrees. The phone is cut. A final shot shows the father sitting, with a suitcase. A car pulls up and rolls down the window. It's Veronica -- dressed immaculately. She hushes her father and tells him it's ok, as a man in a black ski mask gets out of the car and collects the suit case. 'Will you let her go now?' the father pleads. As Veronica rolls the window back up, she hears the man pull the trigger and her father fall to the ground. The man in the ski mask gets back the front driver's seat and takes off his mask. It's Bruno. 'Where to now, Miss Veronica?' he asks politely. 'To the airport,' she replies.

AIRTIGHT INVASION Teen Uses All Her Holes to DP and Get Revenge on Male Captors A STATEMENT FROM LENA PAUL: I've never felt drawn to expressing my own personal trauma in my porn because I generally find it a little inappropriate to air your dirty laundry online. However, when Bree approached me to write a story for Pure Taboo, I felt it was an opportunity to share my own experiences in a serious adult piece. The parameters of my story stem from a recurring nightmare I had after being assaulted. I'd like to offer this project as my #MeToo, in that I wanted to create a story that women who've suffered trauma could feel empowered about watching. A lot of women who watch porn, particularly rough sex scenarios, after experiencing trauma feel a lot of shame about it, despite it being an extremely common fantasy (top 5 actually according to some studies) for women. It was my desire to thread the needle of empowering women while also placing my character in a seemingly dangerous or degrading setting to talk about how this juxtaposition can feel both complicated and pleasurable for viewers. I hope, in the end, that Airtight Invasion will continue our industry's conversations about female empowerment and representation. SCENE opens one night as a beautiful young woman named Veronica shuts down her family's house for the evening. Veronica is the daughter of a rich businessman with suspected ties to organized crime and she looks every bit like a mob boss' daughter, with a full face of makeup and flashy clothing. But, despite her grown-up appearance, Veronica is an anxious girl ... pacing through the different levels of her mansion and pleading with her father on the phone. It's the first time that she's been left alone for the weekend with only one guard on duty and Veronica does not believe he will be enough to protect her, especially from any of daddy's enemies. Her father is dismissive, telling her to calm down, she is 18-years-old, and that the guard is a trained professional. He and her mother will be home in the morning. Strutting into the kitchen, she takes a deep breath before agreeing and her father hangs up, leaving her to reflect for a moment in the silence of the room. She opens the fridge, grabs a bottle of water, and heads to the front door. The security guard, Bruno, is standing in front of it as he always does during the night shift. Opening the door, she says goodnight sweetly and offers him the water, which he takes gratefully. It's hot out. Veronica kisses him on the cheek and thanks him for always keeping her safe, before closing the door. Bruno turns back to his duties, standing on the front steps and sipping his water. He smiles at the thought of the sweet innocent girl. CUT TO TITLE PLATE Bruno is lying passed out on the front steps, the water bottle open and dripping beside him. Three men, dressed in black, step over him cautiously and open the door. It is not locked. They quietly file into the foyer and down through the various levels of the house to Veronica's room. She is sleeping in her bed, dressed in silk pajamas. They approach and stare down at her, each wearing black ski masks and breathing hard. The teen girl tosses for a moment before slowly waking up and staring straight at them. Her eyes go wide. 'You're coming with us,' one of them growls. Cut to black over sounds of rustling and resistance. 8 Hours Later. Veronica struggles to see. Something is over her head and she begs the men to remove it. They rip it off, a pillowcase, and, for the first time, she is exposed to her surroundings. She is being kept in a messy storage locker and surrounded by two of the men, who seem almost as anxious as she is. 'Who are you?' she mutters. The two men look at each other, before turning back. 'You are being held until your father pays us what he owes us,' one says. Veronica lowers her eyes in fear. Her hands are crudely tied together, and she winches at the ropes. 'Do you think you could please remove these?' She begs. 'I'm obviously not going anywhere.' The men look at each other again, debating what to do, before the other pops open a switchblade and cuts her hands free. 'You better sit still,' he meekly warns, 'or else!' Suddenly, a door opens and a third man, the eldest of the three, comes strutting in the room with a gun and a cell phone. He sees that Veronica is loose and immediately rushes over, leaving the door ajar, to berate the other men for untying her. They tell him to chill, she promised not to run, and besides ... they all know she has nowhere to go. Calming down, the third man gets right into Veronica's face and tries to intimidate her. He warns her not to cross them or try anything stupid. They are trained professionals. They don't care how they make their money at the end of the day ... and disposal is much easier than ransom negotiations. Veronica clams up and agrees with everything that the man, who is clearly the leader, says. He seems to take great satisfaction from this power trip and tosses the phone into the hands of the other two men. 'Use this burner, boys,' he barks, turning back and flashing a sadistic grin at Veronica. 'Time to call daddy!' 24 Hours Later. Veronica sits slumped in a corner, sweaty and anxious, while the men try to talk to her father. This is the fourth call they've placed since the heist, and her dad is sobbing on the other end of the line. He can put together some of the ransom but not everything they are asking for. They are being unreasonable, and he begs for leniency. He hasn't called the cops, after all. He is playing along. Finally, the leader hangs up on him angrily. This is not going as he had expected. He lashes out at the other two men, waving his gun around, and telling them that they are being too soft on the girl. If they had the balls to send her father a special delivery, it would wrap things up quickly. Veronica shrinks back and whispers that her father is just trying to negotiate. That's what he does. He's always been cheap. He has the whole amount. The leader grabs her. 'So, what the fuck do you recommend we try next, then?' He yells. 36 Hours Later. Veronica sits quietly in between the two men, as the leader yells into the phone. He is telling the father that he knows about the hidden safe in his office and all the reserves he keeps there. As they argue, Veronica tries to whisper a few key details to help the leader prove his point. The father claims he emptied that safe out months ago. There must be some other way. Without thinking, Veronica stands up and yells 'Dad, Please!' This causes the father to panic, hearing his daughter in distress. The leader hangs up the phone abruptly and spins around, as the other two cover her mouth and pull her back down to the ground. 'I told you not to do anything stupid!' He yells. Slowly, Veronica removes the hand from her mouth and says. 'That wasn't stupid, that was exactly what you needed. He's nervous. Now, you just have to make him terrified!' 48 Hours Later. The three men sit in a corner, away from the girl, debating over what to do. The two men are becoming very antsy, urging the leader to just get rid of Veronica and abandon the job. She watches and listens closely, biting her lip. The leader argues that they should stick it out, they just need to do something that will really fuck the man up and get him to cough up the whole amount. It needs to be a real threat, no more pussying around. The room goes silent. 'You should all fuck me,' Veronica says quietly. 'Do whatever the fuck you want. Just send my father the evidence. As soon as he sees his daughter like that, he will cooperate with you. No more pussying around.' The men look at each other in shock. 'Does she have Stockholm syndrome or something?' One of them laughs nervously. Veronica stands up, shaking, and starts to under her pajama top. 'But, you need to make it look rough, make it look you ruined me. All three of you need to be in on it. Inside of me. Airtight. I want this to be done as much as you do.' She takes off her pants and stands naked before them. The leader flashes a smile and starts to approach her, as the other man chimes in to protest. 'What if she is playing us?' The leader tells him to stop pussying around, like the lady said, and get his phone out. It's picture time. The leader rests his gun on the ground, kicking it to the side, as he peels off his clothes. 'Grabs the masks,' he tells the other man. 'We don't want to be recognized!' The three men strip down, put their masks back on, and approach Veronica. 'Are you ready, sweetheart?' The leader coos in her ear. She says YES and drops to her knees. BBBG Rough Sex Scene with Airtight DP penetration. Throughout the sex, they take turns taking photos. In the end, the three men give Veronica a full facial and make her pose for a picture. While they laugh and look at the photos (the audience never actually sees the photos), she quietly sneaks to the side of the room where the gun was tossed, grabs it, and points it in their direction. Cut to black as gunshots are heard. Over a black frame, a voice over of Veronica calling her father. She asks if he saw the photos. He says yes, crying. She tells him this will be the last time they let her speak to him unless he gives them what they want. Through tears, he agrees. She tells him to bring the full amount to a location that will be texted to him. He must come alone. He must not involve the authorities. He agrees. The phone is cut. A final shot shows the father sitting, with a suitcase. A car pulls up and rolls down the window. It's Veronica -- dressed immaculately. She hushes her father and tells him it's ok, as a man in a black ski mask gets out of the car and collects the suit case. 'Will you let her go now?' the father pleads. As Veronica rolls the window back up, she hears the man pull the trigger and her father fall to the ground. The man in the ski mask gets back the front driver's seat and takes off his mask. It's Bruno. 'Where to now, Miss Veronica?' he asks politely. 'To the airport,' she replies.

4 years ago 2136 6:14
Chloe Cherry and Jill Kassidy, two friends that work together at a local car wash, are devastated to learn that the company has closed down. Now they're both without jobs! They have a senior trip coming up soon and won't have the money to go! Fortunately, it doesn't take them long to realize that they're old enough to start their OWN car wash business.The girls excitedly start their business by going door-to-door, giving out flyers and offering to clean cars for 50% off their regular asking price. Things don't go quite as smoothly as they expected, though, as they get turned down by one car owner after the next, leaving them feeling discouraged.Finally, they find a car owner that allows them to wash his fancy red car. They do so with glee, basking in the sunshine as they rub the car all over, every movement sensual. Each time they lean over the car or stoop down to get more water, their sexy forms are shown off. There are many classic 'wet t-shirt' moments as the girls soak each other with the hose, enjoying every moment of their new job. When they're done, they're rewarded with enough funds to go on their senior trip!Exhilarated from their success, they return to one of their homes to get dried off. They're so giddy and filled with such energy that they hardly know what to do with themselves, congratulating each other on a job well done. Of course, the tension and excitement leads to an enthusiastic kiss between the friends, which then leads to even more fun. They eagerly play with each other's perky breasts, eat out each other's sweet pussies, and trib to their heart's content. Maybe they'll just have to stay in business with each other if this is one of the perks!Story inspired by an original submission by Girlsway member, BlackDow!

Chloe Cherry and Jill Kassidy, two friends that work together at a local car wash, are devastated to learn that the company has closed down. Now they're both without jobs! They have a senior trip coming up soon and won't have the money to go! Fortunately, it doesn't take them long to realize that they're old enough to start their OWN car wash business.The girls excitedly start their business by going door-to-door, giving out flyers and offering to clean cars for 50% off their regular asking price. Things don't go quite as smoothly as they expected, though, as they get turned down by one car owner after the next, leaving them feeling discouraged.Finally, they find a car owner that allows them to wash his fancy red car. They do so with glee, basking in the sunshine as they rub the car all over, every movement sensual. Each time they lean over the car or stoop down to get more water, their sexy forms are shown off. There are many classic 'wet t-shirt' moments as the girls soak each other with the hose, enjoying every moment of their new job. When they're done, they're rewarded with enough funds to go on their senior trip!Exhilarated from their success, they return to one of their homes to get dried off. They're so giddy and filled with such energy that they hardly know what to do with themselves, congratulating each other on a job well done. Of course, the tension and excitement leads to an enthusiastic kiss between the friends, which then leads to even more fun. They eagerly play with each other's perky breasts, eat out each other's sweet pussies, and trib to their heart's content. Maybe they'll just have to stay in business with each other if this is one of the perks!Story inspired by an original submission by Girlsway member, BlackDow!

4 years ago 1479 6:14
IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

4 years ago 1699 6:14