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After having romps with both her step-brother, Nathan, AND step-sister, Kenna, Carolina Sweets arrives at a massage parlor to greet her step-mother, Dee Williams. Dee is thrilled to see her step-daughter, though her excitement fades as Carolina gently confronts her about what's been going on within the family. To help take the edge off the uncomfortable conversation, they climb onto the massage table, prepared to rub each other's worries away.As they take turns massaging each other throughout, Dee is troubled as she tries to formulate her thoughts, though finally admits that her husband hasn't done anything wrong... No, this is about HER coming into her own since starting her new business. Being around and massaging so many naked women has made Dee realize that maybe she loves -- and always have loved -- women! Has Carolina ever been with a woman??Before Carolina can respond, Kenna James, Dee's step-daughter from a previous marriage, arrives at the parlor. Although Dee is thrilled to see BOTH her step-daughters, the uncomfortable conversation continues. However, Kenna isn't mad at all that Dee thinks she might like women. Wouldn't it be better to know once and for all rather than wonder about it?Dee is appalled at the thought of having sex with her step-daughters, though she quickly learns that they've been busy that day with Eric and Nathan, too! Finally, as Carolina and Kenna team up to give her a sensual massage, Dee gives into temptation.Dee is blown away when Carolina and Kenna give her a first-time lesbian experience that she will never forget! She's putty in their hands as they all take turns eating out each other's sweet pussies. As she's brought to the brink of orgasm, her husband is the furthest thing from her mind! Will Carolina and Kenna's plan to save the family backfire?

After having romps with both her step-brother, Nathan, AND step-sister, Kenna, Carolina Sweets arrives at a massage parlor to greet her step-mother, Dee Williams. Dee is thrilled to see her step-daughter, though her excitement fades as Carolina gently confronts her about what's been going on within the family. To help take the edge off the uncomfortable conversation, they climb onto the massage table, prepared to rub each other's worries away.As they take turns massaging each other throughout, Dee is troubled as she tries to formulate her thoughts, though finally admits that her husband hasn't done anything wrong... No, this is about HER coming into her own since starting her new business. Being around and massaging so many naked women has made Dee realize that maybe she loves -- and always have loved -- women! Has Carolina ever been with a woman??Before Carolina can respond, Kenna James, Dee's step-daughter from a previous marriage, arrives at the parlor. Although Dee is thrilled to see BOTH her step-daughters, the uncomfortable conversation continues. However, Kenna isn't mad at all that Dee thinks she might like women. Wouldn't it be better to know once and for all rather than wonder about it?Dee is appalled at the thought of having sex with her step-daughters, though she quickly learns that they've been busy that day with Eric and Nathan, too! Finally, as Carolina and Kenna team up to give her a sensual massage, Dee gives into temptation.Dee is blown away when Carolina and Kenna give her a first-time lesbian experience that she will never forget! She's putty in their hands as they all take turns eating out each other's sweet pussies. As she's brought to the brink of orgasm, her husband is the furthest thing from her mind! Will Carolina and Kenna's plan to save the family backfire?

4 years ago 5257 6:14
In this brutal and intense session between the relentless Aiden Starr and her eagerly willing sub London River, boundaries are met head-on, and the line between pleasure and pain blurs. London River can endure all sorts of punishment, particularly when trust is well established, and her trust in Aiden Starr is immense. Aiden takes London through a screaming session of pussy punishment, flogging, caning, cropping, spanking, pussy licking, anal strap-on fucking and anal fisting, all while London is bound and tied, unable to resist or get away. Aiden delights in overlapping pain with pleasure for London, leading her to the edge and then back from it, in the ultimate sexual tease. We open with London chained to a pipe device, while Aiden punishes her pussy with clover clamps, a vicious crop, and a punishing vibrator. London begs to cum, but she's not allowed to get off so easily. The tension builds as Aiden demands obedience and patience. Later, London is bound on her back, with her legs bent over her head as Aiden torments that pussy further, slapping it and masturbating it, then shoving a dick on a stick deep inside and making London lick it clean. London is flogged and caned, as her screams drown out Aiden's already powerful voice. Finally, London is anally fucked with a strap-on. Her ass gapes, her voice cracks. She's the epitome of used and abused, and loves every single stinging moment of it. Aiden shoves her fist in London's ass, and pounds her with it, slamming the crazy intense orgasms out of her in ways she never imagined she could cum. This is a session between a domme and sub that know each other well, that know their own desires and limits, and test them again and again.

In this brutal and intense session between the relentless Aiden Starr and her eagerly willing sub London River, boundaries are met head-on, and the line between pleasure and pain blurs. London River can endure all sorts of punishment, particularly when trust is well established, and her trust in Aiden Starr is immense. Aiden takes London through a screaming session of pussy punishment, flogging, caning, cropping, spanking, pussy licking, anal strap-on fucking and anal fisting, all while London is bound and tied, unable to resist or get away. Aiden delights in overlapping pain with pleasure for London, leading her to the edge and then back from it, in the ultimate sexual tease. We open with London chained to a pipe device, while Aiden punishes her pussy with clover clamps, a vicious crop, and a punishing vibrator. London begs to cum, but she's not allowed to get off so easily. The tension builds as Aiden demands obedience and patience. Later, London is bound on her back, with her legs bent over her head as Aiden torments that pussy further, slapping it and masturbating it, then shoving a dick on a stick deep inside and making London lick it clean. London is flogged and caned, as her screams drown out Aiden's already powerful voice. Finally, London is anally fucked with a strap-on. Her ass gapes, her voice cracks. She's the epitome of used and abused, and loves every single stinging moment of it. Aiden shoves her fist in London's ass, and pounds her with it, slamming the crazy intense orgasms out of her in ways she never imagined she could cum. This is a session between a domme and sub that know each other well, that know their own desires and limits, and test them again and again.

4 years ago 59696 4:00
A beautiful starlet relaxes on the patio of her luxurious home, savoring a glass of wine and the quiet stillness of the evening. In the privacy and security of her own home she begins to casually masturbate, raising the hem of her tight, white designer dress and rubbing the silk crotch of her panties. But out in the shadows, figures approach, not cat burglars or night stalkers, but a crew of tabloid photographers, the

A beautiful starlet relaxes on the patio of her luxurious home, savoring a glass of wine and the quiet stillness of the evening. In the privacy and security of her own home she begins to casually masturbate, raising the hem of her tight, white designer dress and rubbing the silk crotch of her panties. But out in the shadows, figures approach, not cat burglars or night stalkers, but a crew of tabloid photographers, the "Paparazzi" who give Andrej Lupin's film its title. When the starlet Lucy Li realizes her privacy has been invaded she alerts her security staff who are able to apprehend one of the photographers Johnny D as his partners scurry off into the night. With the paparazzo lashed to a chair, Li dismisses her guards and begins to tease, taunt, and torment the hapless intruder. Seated mere inches from the immobilized interloper, Li reclines and masturbates, giving the shutterbug a far more detailed show than he was able to capture earlier in the evening. Li also jerks D's cock, and further arouses him by performing an impromptu lap dance. But Lucy is out for her own pleasure and she relishes the control she has over her prisoner. Once she's satisfied he poses no threat, she cuts his bonds and commands him to eat her pussy a directive he is only too eager to obey. Now suitably primed, Lucy has Johnny return to his seat where she mounts him in the reverse cowgirl stance and uses him as her own personal sex toy, throwing off his hands when he dares to touch her voluptuous body. As Lucy's arousal increases she climbs off the lensman and continues to torment him by stroking her wet, pink pussy as her orgasm nears. But there's a limit to Li's cruelty and, ultimately, she allows Johnny to fuck her some more before bringing him to an explosive finish with her hand. Although Johnny D exits the estate without any photos to peddle to the tabloids, he's drained and satisfied, with an amazing story to tell his fellow "Paparazzi."

4 years ago 6092 2:11
Horny Raisa gets wrapped up in self-pleasure in this kinky movie fantasy. It's a sunny day and the cute, auburn-haired babe walks through long grass and past graffiti-daubed walls, to a derelict building. She is dressed in a sheer top over a sexy black bra, with a black skater skirt and sneakers, and she is carrying a large roll of black plastic wrap. Cautiously, she enters the building and searches for the ideal spot then she uses lengths of the wrap to create a mat on the dirt-strewn floor. Next, she strips down to her black-lace lingerie, then removes her panties. She sits down and wraps her legs and midriff with the plastic, giving a sense of restriction and a fetish look. She parts her thighs, her puffed-up shaved pussy illuminated by a ray of sunlight, and begins to masturbate, stroking the plastic wrap and splaying and teasing her folds. As her subtly manicured fingertips circle her clit, she sighs with pleasure and her free hand caresses her breasts. She frigs herself faster and humps against her fingers as they slip inside. Next, she grabs another item she has brought along, enclosed in the same black plastic. She rips off the wrap to reveal a huge, realistic-looking dildo, and immediately begins to lick and suck on it, blowing it expertly. Meanwhile, she continues to fingerbang her pussy, keeping it wet and open, ready to take the toy. She plays the head against her slippery slit, then eases the helmet and huge shaft inside of her. She pounds her pussy, then squats over the mock-cock to ride it hard and deep. Her cries become more frantic as she approaches orgasm and she sinks down to take almost the full length, rubbing her clit furiously as she cums, sobbing in ecstasy, then raises herself up and off of the shaft. She tears the plastic wrap from her body, standing up to stroke her slender curves as the picture fades to black...

Horny Raisa gets wrapped up in self-pleasure in this kinky movie fantasy. It's a sunny day and the cute, auburn-haired babe walks through long grass and past graffiti-daubed walls, to a derelict building. She is dressed in a sheer top over a sexy black bra, with a black skater skirt and sneakers, and she is carrying a large roll of black plastic wrap. Cautiously, she enters the building and searches for the ideal spot then she uses lengths of the wrap to create a mat on the dirt-strewn floor. Next, she strips down to her black-lace lingerie, then removes her panties. She sits down and wraps her legs and midriff with the plastic, giving a sense of restriction and a fetish look. She parts her thighs, her puffed-up shaved pussy illuminated by a ray of sunlight, and begins to masturbate, stroking the plastic wrap and splaying and teasing her folds. As her subtly manicured fingertips circle her clit, she sighs with pleasure and her free hand caresses her breasts. She frigs herself faster and humps against her fingers as they slip inside. Next, she grabs another item she has brought along, enclosed in the same black plastic. She rips off the wrap to reveal a huge, realistic-looking dildo, and immediately begins to lick and suck on it, blowing it expertly. Meanwhile, she continues to fingerbang her pussy, keeping it wet and open, ready to take the toy. She plays the head against her slippery slit, then eases the helmet and huge shaft inside of her. She pounds her pussy, then squats over the mock-cock to ride it hard and deep. Her cries become more frantic as she approaches orgasm and she sinks down to take almost the full length, rubbing her clit furiously as she cums, sobbing in ecstasy, then raises herself up and off of the shaft. She tears the plastic wrap from her body, standing up to stroke her slender curves as the picture fades to black...

4 years ago 39472 2:00
IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

IMPREGNATING THE SITTER GRIEVING HUSBAND IMPREGNATES TEEN TO FULFILL LATE WIFE'S LAST WISH April (Alina Lopez), a teen babysitter, climbs the front steps of a residential home. For her, this is just another day. Another job and a few more dollars in her pocket, which she really needs. However, it looks like the man living in this home is well off because the place is HUGE! She knocks on the door and a pleasant man (Dick Chibbles) greets her. 'Mr. Perry?' April greets with a smile. 'Yes, that's me. You must be April, welcome!' Trent says. April beams, saying that she's pleased to meet him and that she can't wait to meet the boys. April moves into the living room with Trent, making some small talk where it's revealed that she's raising her younger brother. Her parents passed away, so it's all on her now. Trent is sympathetic, though he moves onto asking her questions that seem a little beyond small talk. What nationality is she, is she a gymnast, how's school going? April politely answers all the questions the best she can, even if she's uncomfortable. When it comes to school, she admits that she wants to go into fashion, though money's a bit tight since she didn't get a scholarship. Trent seems intrigued and says, well, there's no shame in working for it! April then asks where the kids are and he says they're in the playroom. He's just going to be gone for a few hours, so hopefully she won't have issues with them. When April asks when the wife will be home, though, Trent gets a bit dodgy. He simply says that she won't be coming home. She's at work and has a deadline, so... Anyway, is April ready to meet the kids? April smiles and says that she is and heads off down the hall where she's directed. As she does, Trent walks behind her with a longing gaze. 'One hell of a mother...' he says under his breath. TITLE PLATE CUT TO hours later, and April is tidying up the living room after having put the kids to bed. She picks up a few toys then moves to a table where there are crayons and a drawing. She sets the toys aside and smiles to herself. 'Aw, I wonder what they drew...?' she says to herself as she picks up the drawing. As soon as she gazes at it, her brows furrow with confusion. It's a picture with stick figures, very much a child's drawing. There's a man labeled 'Dad' and a woman next to him labeled 'Claire.' They are surrounded by three kids, the boys. They all look happy. There's another woman off to the far side labeled 'Mom.' She is smiling too but a dark crayon has scribbled her out. The picture has a disturbing vibe. 'What does this mean?' April murmurs to herself as she tries to make sense of the picture. She's a little unnerved, putting the paper back down on the table. Curious, she takes out her phone and does some research. She pulls up a search engine and searches Trent Perry's name. She quickly finds an obituary for his wife. She hears movement behind her and whirls around. Trent is looming in the doorway, looking menacing. April's startled, demanding to know what the hell is going on in this house? She points to the page on her phone with his wife's obituary -- why is he lying?! Trent looks devastated as grief washes over him, though he shakes it off. 'Listen, I can explain...' he starts, begging for her to just hear him out. April hurries to get out of there, but before she's out the door, Trent blurts, 'Have you ever had someone just DIE on you?' April pauses, painfully remembering her parents' deaths, and remains, letting him have a chance to explain himself. He begins to tell her a sad story about how he and his wife had been trying to have a baby for YEARS. Then one day, they finally got lucky, though the doctor told her not to take the baby to term. She did, anyway, but died during childbirth, giving Trent their firstborn son. Even though he loves his son, he wished he'd been given a daughter because that's what they've always wanted. April is wary, but moved by his plight, and says she's sorry for his loss. She was so confused by the picture... But who's Claire? Trent explains that Claire, the sweet young woman in that drawing, was a wet nurse for his son in that first year, someone he came to know very well in those dark days, and like April, she was someone with great maternal instincts. Desperate to rebuild his family, they made an arrangement in hopes of Claire giving him a daughter, but he got two other sons instead. And now? Claire is gone... When April asks where Claire is now, Trent dismisses the question. Instead, he says that he hopes that April can be the one to give him a daughter. April is freaked out, flat-out refusing him, though Trent quickly assures her that she doesn't need to be in LOVE with him! He's just asking her to be the vessel for his daughter. Listen, April needs to pay for college, right? He can take care of that for her! Her younger brother? Trent can make sure he gets into the best private school. Money isn't an issue for him, he just needs a womb. It's just 9 months of April's life. Plus, she'd be fulfilling his wife's last wish... April needs a few moments to think it over, conflicted. This is a lot to ask of someone, but she needs the money. She has to provide for her brother and she has big dreams for herself as well. Finally, she asks how much Trent can offer her, signaling that she's open to the deal. Trent is relieved as he approaches April and takes her by the arm, their eyes meeting. Without saying a word, although there is a mutual understanding, he slowly leads her upstairs.

4 years ago 1687 6:14