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Some guys don't want to be dominated. They want to be the one in charge. They don't want a woman telling them what to do. But what if the woman doing the dominating is 61-year-old wife, MILF and GILF Sally D'Angelo, and what if she's ordering you to fuck her mouth, pussy and ass? That'd change your tune, wouldn't it? Here, sexy Sally with the big tits and curvy body is wearing Latex and leather. She has boots and a riding crop. She's in charge, although, let's face it, the person with the pussy is always in charge. Tony is tied up. He doesn't seem to mind. He minds less when Sally starts sucking his cock. He fucks her ass really hard. He cums all over her tits. Sally's orders. When Sally arrives at our studio, there's no doubt what she's there for. Certainly the cab driver knows. He's been eyeing her in the rear-view mirror the whole way over from the hotel. Sally wears slut clothes that show off her body and fuck-me pumps. "If I could say one thing to the younger generations, it would be not to worry about getting old because you really do get better, happier and hornier with age," Sally said. She proves it with every suck and fuck.
3 years ago
1535
5:23
IMMERSION THERAPY: A JAY TAYLOR STORY WOMAN AGREES TO INTENSIVE DP THERAPY SESSION TO CURE PHOBIAS Scene opens on Erin (Jay Taylor), a 25-year-old woman, as she sits on a couch immersed in herself. She's dressed in loose loungewear, her body language nervous and uncomfortable, while her therapist, Daniella (Angela White), talks to her. But Erin isn't listening. She's more engrossed in her own thoughts, her foot tapping, her fingers scratching an itch on her arm. Daniella addresses her more clearly, 'Erin?' The woman snaps to attention, but still remains closed off. The therapist continues, 'I really need you to pay attention and work with me today. If I'm being honest, I'm running out of ideas on how to continue. Now, did you do the homework I assigned last session?' Erin frowns. CUT to a flashback. Erin stands in front of a mirror and slowly undresses. Her naked body elicits no response from her. While she dutifully starts to run her hands over herself, she looks away as though trying to pretend something else more interesting is happening on the wall. She clumsily squeezes her own breasts, but when she tries to explore between her legs she recoils as if disgusted. CUT back to the therapist's office. Erin slowly responds to the question, 'Um... I went as far as I could.' Daniella is almost at a loss, and though her words are measured, she is frustrated, 'Okay ... What is it about your own body that repulses you?' Erin stiffens, she doesn't want to answer this question again. 'It's not MY body. It's anyone's body! They're so messy, so bestial. The way they look, feel, smell, sound...' Daniella interrupts her almost absent-mindedly, 'And taste? Erin, this is becoming almost beyond what I can help you with in my practice. I have one more technique we could try, but it is going to be more intensive than our other methods so far. So, I would need you to commit wholeheartedly.' Daniella's offer intrigues Erin. She sits up, focused. 'I don't want to go to anyone else. I'm willing to do whatever you think we need to do.' Daniella smiles, 'Excellent. I'll prepare the consent forms.' CUT TO TITLE PLATE Erin sits on the floor of the therapist's office, the desk pushed back, and a selection of pillows and blankets now artfully arranged around her. She seems curious but apprehensive, clutching the consent form in her hand as Daniella finishes laying out the space. 'Excellent, this should give us the comfortable setting we require,' she says, motioning to Erin to hand over the form. The patient does so, and Daniella scans it to confirm all the fields are complete. 'Good,' She says, putting it on the desk. 'Now, I need you to trust me. You want to get better, yes?' Erin nods, and Daniella continues, 'Good. Why don't we get a little more comfortable? Take your sweater off, and I'll do the same.' Erin hesitates for just a moment, before both women remove an outer layer of clothing. This leaves Erin in a tank top and Daniella in a bra. Erin tries not to stare at her breasts. She feels incredibly anxious but Daniella smiles, 'Wonderful. Look at how far you've come already. Now, just mirror what I do.' She starts caressing her own body, starting benignly with her arms and waist, then moving to her breasts. Every time Erin pauses or panics, she encourages her. They continue touching themselves, first their legs, then between them. Erin finally relaxes into this and they masturbate without touching each other. When they begin getting close to climax, a young man (Seth Gamble) enters the room silently and slips behind Daniella to fondle her breasts. Erin is startled, but Daniella quickly calms her, 'Don't mind him! He's just my assistant. An extra pair of hands. Focus on me!' Erin's eyes lock back onto hers and she continues cautiously masturbating. After a few moments of this, Daniella asks Erin to undress from the waist down. Erin complies and slips her leggings and panties off. She resumes masturbating as Daniella bends over and the man starts to go down on Daniella from behind. Erin is completely focused on Daniella and continues to masturbate. Erin can imagine what is happening to her therapist, but she can't see it, so Daniella describes it to her ... building up to asking Erin if she wants to know what it feels like too. Erin nervously says yes. Daniella gracefully crawls over to Erin. She spreads Erin's legs, eating her pussy as Erin shudders with pleasure. At the same time, the man begins to fuck Daniella from behind. Soon, all three of them are moaning with ecstasy when another young man (Codey Steele) enters. He walks up to Erin and asks if he can remove her top. Daniella reassures her again that he is another assistant, here to support them during their session. She should continue to focus on her and relax. Erin slowly says yes. The second assistant removes Erin's top, squeezing her tits. The first assistant slides his cock out of Daniella and she begins to suck it. When the second assistant walks around to face Erin, Daniella again instructs Erin to mirror her. Erin starts to suck the second assistant's cock, and Daniella talks her through it, getting her in touch with her carnal side, but their focus remains on each other. As Erin continues to suck the second assistant's cock, Daniella gets on top of her assistant and begins riding him as she faces Erin. She coaxes Erin down to get on all fours, close enough where the two women can almost kiss. The second assistant gets behind Erin and slides his dick into her. The second assistant fucks Erin as she squeals loudly. But unbeknownst to Erin, his dick isn't going to be the only cock penetrating her body today. Is Erin ready for the FINAL phase of her immersion therapy?
4 years ago
1550
6:14
As if I wouldn't recognize today's rider Mila Milan from our last romp, a threesome with Debby Pleasure. She was rushing to the airport to catch a flight back to Holland, but I still tried my luck to see if she was willing to have another fuck on our way to the plane. Mila texted her friend Debby to tell her she was running twenty minutes late, and I got to work sweet-talking this girl into flashing me her big fake tits. Lucky for me, Mila will get her clothes off with the slightest encouragement, and in no time she was giving me peeks at her little nipples in the rear-view mirror as I sped us to the secluded spot. When we parked, I dove down and licked her flawless, bald pussy, before she pressed her lips to the base of my cock and deepthroated me. After a blowjob, Mila went even lower and shoved her tongue up my ass for a rimjob, then I flipped her over and pounded this Dutch babe until she was moaning from our hot rough sex.
4 years ago
1560
8:00
THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!
4 years ago
1653
6:14
As soon as Chloe Lamour got in the Mean Orange Machine, I knew it would be a challenge not to crash the car. Her huge tits were practically bursting out of her pink tanktop, so I knew I really had to concentrate on keeping my eyes on the road. I went through the basics of car safety with Chloe, showing her the pedals, mirrors, and seat, and then we started driving. When I had to do an emergency stop, I shot my arm out to brace her by instinct, and my hand found its way on her boob! She had to remind me to remove my hand, but then asked me if I liked her tits. Of course I did, so she asked what I would give her if she let me play with them. I offered free lessons, and for ten, she let me motorboat her. For 15, she let me have her shaved pussy, then for 20 she sucked my cock! Finally, I asked her to fuck: we settled on 30 lessons, she rode my dick, and then I came all over those huge tits!
4 years ago
5478
6:59
ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.
4 years ago
2416
6:14
'Time is the longest distance between two places.' \u2015 Tennessee Williams, The Glass Menagerie ALL THE TIME IN THE WORLD Desperate Man Uses Time-Freezing Tech To Have Sex With Crush SCENE OPENS on Ted (Justin Hunt), who is in his room, preparing for a dinner party for his friend Gabi's birthday. There is the sound of a Newton's Cradle which we see clacking in the foreground on his desk. We can also hear the faint sounds of a cityscape through his bedroom window. Ted is nervous and adjusting his clothes. He is rehearsing in front of the mirror, trying to come up with a way to express his love for his best friend Gabi and to convince her to break up with her longtime boyfriend Drake. He retrieves a pocket watch that he got for Gabi's birthday. He thinks it's broken and manhandles it, accidentally uncovering a secret compartment that emits a strange effect as it opens. The distortion effect ripples out across the screen like a shockwave. Sound and movement slow to a stop for everyone but Ted. Ted is confused, looks around the room, sees that his clock is no longer moving. He remarks that it's weird the clock stopped. He feels something is amiss and sees that the Newton's Cradle has stopped in mid swing. He can't believe what he's seeing, and pulls back a bit in fear. Ted leans in to peer and scrutinize the Newton's Cradle with shock and curiosity. Ted looks in wonder and cautiously reaches a hand out. He touches the Cradle. At his touch, the balls instantly start to swing again, the clacking sound whooshing back. Ted stares for a moment at the moving Cradle, then something catches his attention out the window. He goes to look out the window. 'What...the...hell? Everything's just...STOPPED. The birds...the people. Nothing's...MOVING. Th-that's IMPOSSIBLE. It's like time is just...FROZEN,' Ted says in stunned disbelief. Ted looks down at his hand, only now noticing he still is idly holding the open watch in his hand. It starts to dawn on him that the watch did this. He looks out at the frozen city in awe, gazing back and forth between the city and the watch a few times. He seems to get an idea. As he stares out the window, he snaps the clock closed. Instantaneously, the sounds of the cityscape whoosh back in and the clock hand begins moving again. Everything has become unfrozen. Ted stares, stunned into silence, for several seconds. 'Gabi...' he finally whispers. CUT TO TITLE CUT TO another day. Gabi's birthday dinner party is in full swing. Gabi (Alina Lopez) sits beside Drake (Nathan Bronson) at the dinner table. Ted sits across from Gabi. Their mutual friends Pat and Leslie sit around them, and everybody but Ted are clearly enjoying themselves, engaged in light and lively conversation, laughing and joking. Ted seems withdrawn and distracted, spaced-out. He isn't talking to anyone, and instead keeps pulling the watch in and out of his pocket and looking at it under the table. As the other guests are busy, Gabi notices Ted's distraction. She touches his hand and asks what's wrong. Ted snaps out of his distraction, seemingly reminded of his strong feelings for Gabi. Ted is about to profess his love for Gabi when he is interrupted by Drake getting on bended knee in front of Gabi. He proposes and Gabi says yes as Ted panics. Ted's panic boils over and he makes a snap decision, activating the watch to freeze time. Sound and movement slow to a stop for everyone but Ted. Gabi's words cut off as she freezes, hand out. Ted gets up slowly from his chair and paces the room, slowly walking and examining the guests. He seems bitter and disgusted at their happy expressions. He looks at Gabi first, then over to Drake with jealousy, then enters the kitchen briefly to circle Pat and Leslie making sure they're frozen - waving his hand in front of their faces and snapping his fingers in front of their eyes. Ted takes a deep breath, exhaling heavily as he calms down, glancing at the pocket watch and considering what to do. Ted resumes his spot at the dining room table, sighing. He looks back at Gabi, Drake beside her, her hand held out to Ted showing off the ring. His expression turns possessive as he gazes at her. He readies himself and reaches out to touch her outstretched hand. Gabi unfreezes and immediately panics when she discovers everyone else is frozen except her and Ted. She tries to wake Drake up but can't. Ted explains that the pocket watch can stop time. Ted finally professes his love for Gabi, thinking she will reciprocate, but she doesn't. He reveals that he stopped time so that they could be together forever. Gabi is freaked out. Ted feels betrayed and hurt that she doesn't share his feelings. He threatens to smash the watch unless she fucks him. Gabi, full of resentment, agrees to have sex - 'You aren't the person I thought you were, Ted... I'll have sex with you, but I could NEVER love you after this.' Ted tells her that she'll see, she'll change her mind. She tries to lead him to the bedroom. Ted says that he wants them to do it in front of Drake so he can prove to Gabi he's a better lover than Drake. Gabi is appalled but reluctantly agrees. Ted's going to take his time with Gabi. They DO have all the time in the world, after all.
4 years ago
3823
6:14