Tema:
Oppsett:

Beste porno av Gråte

Totalt antall videoer: 359
Later that night, Heather (Kristen Scott) texts Lola (Jill Kassidy) to meet. When the girls get together, Heather shows her the video and threatens to expose the girl and her teacher unless she meets her demands. This sends Lola into a panic and, before she knows it, she's hit Heather over the head and knocked her out. She knows Mr. Davies (Charles Dera) is with his wife (Cherie DeVille) but doesn't know what to do ... so she calls him at home anyway. Meanwhile, Mr. Davies is having sex with his wife when the phone rings. It's his teenage lover having a complete freak out. In a desperate attempt to calm her down and not raise suspicions, Mr. Davies tells her to put Heather in her car and meet him at his family's cottage. He makes up an excuse to his wife and takes off. When he arrives there, Mr. Davies bring the girl inside while Lola is crying out of stress and start to talk over what to do next. Mr. Davies knows that he is in serious trouble, not only with the school board but as an accessory to a kidnapping, so he tries to remain level headed. But his teen girlfriend is having a complete panic attack so he ends up putting her to bed too. While he paces back and forth to think of a plan in the other room, Heather wakes up. Realizing what has happened to her, she decides to confront the teacher. She uses the victim card and ends up persuading him into fucking her too ... which he does.Later that night, Heather (Kristen Scott) texts Lola (Jill Kassidy) to meet. When the girls get together, Heather shows her the video and threatens to expose the girl and her teacher unless she meets her demands. This sends Lola into a panic and, before she knows it, she's hit Heather over the head and knocked her out. She knows Mr. Davies (Charles Dera) is with his wife (Cherie DeVille) but doesn't know what to do ... so she calls him at home anyway. Meanwhile, Mr. Davies is having sex with his wife when the phone rings. It's his teenage lover having a complete freak out. In a desperate attempt to calm her down and not raise suspicions, Mr. Davies tells her to put Heather in her car and meet him at his family's cottage. He makes up an excuse to his wife and takes off. When he arrives there, Mr. Davies bring the girl inside while Lola is crying out of stress and start to talk over what to do next. Mr. Davies knows that he is in serious trouble, not only with the school board but as an accessory to a kidnapping, so he tries to remain level headed. But his teen girlfriend is having a complete panic attack so he ends up putting her to bed too. While he paces back and forth to think of a plan in the other room, Heather wakes up. Realizing what has happened to her, she decides to confront the teacher. She uses the victim card and ends up persuading him into fucking her too ... which he does.

Later that night, Heather (Kristen Scott) texts Lola (Jill Kassidy) to meet. When the girls get together, Heather shows her the video and threatens to expose the girl and her teacher unless she meets her demands. This sends Lola into a panic and, before she knows it, she's hit Heather over the head and knocked her out. She knows Mr. Davies (Charles Dera) is with his wife (Cherie DeVille) but doesn't know what to do ... so she calls him at home anyway. Meanwhile, Mr. Davies is having sex with his wife when the phone rings. It's his teenage lover having a complete freak out. In a desperate attempt to calm her down and not raise suspicions, Mr. Davies tells her to put Heather in her car and meet him at his family's cottage. He makes up an excuse to his wife and takes off. When he arrives there, Mr. Davies bring the girl inside while Lola is crying out of stress and start to talk over what to do next. Mr. Davies knows that he is in serious trouble, not only with the school board but as an accessory to a kidnapping, so he tries to remain level headed. But his teen girlfriend is having a complete panic attack so he ends up putting her to bed too. While he paces back and forth to think of a plan in the other room, Heather wakes up. Realizing what has happened to her, she decides to confront the teacher. She uses the victim card and ends up persuading him into fucking her too ... which he does.Later that night, Heather (Kristen Scott) texts Lola (Jill Kassidy) to meet. When the girls get together, Heather shows her the video and threatens to expose the girl and her teacher unless she meets her demands. This sends Lola into a panic and, before she knows it, she's hit Heather over the head and knocked her out. She knows Mr. Davies (Charles Dera) is with his wife (Cherie DeVille) but doesn't know what to do ... so she calls him at home anyway. Meanwhile, Mr. Davies is having sex with his wife when the phone rings. It's his teenage lover having a complete freak out. In a desperate attempt to calm her down and not raise suspicions, Mr. Davies tells her to put Heather in her car and meet him at his family's cottage. He makes up an excuse to his wife and takes off. When he arrives there, Mr. Davies bring the girl inside while Lola is crying out of stress and start to talk over what to do next. Mr. Davies knows that he is in serious trouble, not only with the school board but as an accessory to a kidnapping, so he tries to remain level headed. But his teen girlfriend is having a complete panic attack so he ends up putting her to bed too. While he paces back and forth to think of a plan in the other room, Heather wakes up. Realizing what has happened to her, she decides to confront the teacher. She uses the victim card and ends up persuading him into fucking her too ... which he does.

4 years ago 1358 6:14
After stepsisters Lucy (Abigail Mac) and Ella (Shyla Jennings) move to Los Angeles in the wake of their father's death, Lucy falls prey to a coven of vampires. With the help of her blind sister Ella and vampire hunter (Serena Blair), Lucy vows to destroy the coven matriarch Anya (Jelena Jensen) and save her own mortal soul. At the coven's mansion, Anya (Jelena Jensen) has just awakened her first-born progeny Angelica (Angela White) from her long slumber to destroy the fledgling vampire Lucy. The matriarch palpates her vagina, letting Angelica feed off her life force. Anya's supersonic hearing alerts her to the presence of her prey, Lucy and Ella. Indeed, the stepsisters are outside the coven's mansion attempting to break in and start a fire. As the vampire hunter (Serena Blair) talks them through picking the lock over the two-way radio, the front door bursts open. Standing in the entrance is the formidable silhouette of Angelica. Luckily, Serena takes her out with a tranquilizer dart, and Lucy walks into the house looking for Willow (Melissa Moore). She doesn't notice Angelica get up. Moving faster than lightening, Angelica pounces on Lucy and catches her off guard. She tackles her to the ground, rips off her clothes and tribs her pussy. As Lucy fights for her life, Ella and Serena secure the perimeter completely unaware of her predicament. Soon, matriarch Anya comes upstairs and joins Angelica in fucking Lucy on the floor. Anya parts her legs, she wants to play before the feeding. Anya and her progeny gang up on Lucy, riding her mouth, licking her pussy and tribbing the poor girl until she's sufficiently weakened, devouring her until Lucy is absorbed into the coven. Anya steps away just as stepsister Ella finally manages to set the house ablaze and rescue Lucy from the Angelica's clutches with the help of a crystal ornament. She may have saved her sister's mortal soul, but can they outrun the vampires?

After stepsisters Lucy (Abigail Mac) and Ella (Shyla Jennings) move to Los Angeles in the wake of their father's death, Lucy falls prey to a coven of vampires. With the help of her blind sister Ella and vampire hunter (Serena Blair), Lucy vows to destroy the coven matriarch Anya (Jelena Jensen) and save her own mortal soul. At the coven's mansion, Anya (Jelena Jensen) has just awakened her first-born progeny Angelica (Angela White) from her long slumber to destroy the fledgling vampire Lucy. The matriarch palpates her vagina, letting Angelica feed off her life force. Anya's supersonic hearing alerts her to the presence of her prey, Lucy and Ella. Indeed, the stepsisters are outside the coven's mansion attempting to break in and start a fire. As the vampire hunter (Serena Blair) talks them through picking the lock over the two-way radio, the front door bursts open. Standing in the entrance is the formidable silhouette of Angelica. Luckily, Serena takes her out with a tranquilizer dart, and Lucy walks into the house looking for Willow (Melissa Moore). She doesn't notice Angelica get up. Moving faster than lightening, Angelica pounces on Lucy and catches her off guard. She tackles her to the ground, rips off her clothes and tribs her pussy. As Lucy fights for her life, Ella and Serena secure the perimeter completely unaware of her predicament. Soon, matriarch Anya comes upstairs and joins Angelica in fucking Lucy on the floor. Anya parts her legs, she wants to play before the feeding. Anya and her progeny gang up on Lucy, riding her mouth, licking her pussy and tribbing the poor girl until she's sufficiently weakened, devouring her until Lucy is absorbed into the coven. Anya steps away just as stepsister Ella finally manages to set the house ablaze and rescue Lucy from the Angelica's clutches with the help of a crystal ornament. She may have saved her sister's mortal soul, but can they outrun the vampires?

4 years ago 1527 6:15
THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!

THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!

4 years ago 1646 6:14
ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.

ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.

4 years ago 2416 6:14
Dj Oscar Leal - A follow up to the original clip My Brother's Fiancee, Part 2 was requested by a fan of the original and was created from the following very detailed request, resulting a great video: You are alone at home, getting ready to go out when you hear a knock on the door. You go to open it. You look through the peephole and whisper to yourself

Dj Oscar Leal - A follow up to the original clip My Brother's Fiancee, Part 2 was requested by a fan of the original and was created from the following very detailed request, resulting a great video: You are alone at home, getting ready to go out when you hear a knock on the door. You go to open it. You look through the peephole and whisper to yourself "what does he want now? Hasn't he done enough?" You thinks for a second and then puts on a straight face and opens the door. You look at him with an attitude and say "what the hell are you doing here? What do you want NOW?" He repliess with an evil smile "why so tense. I though we had a good time last time." You reply with an angry look on your face "FUN?! You took advantage of me. Your brother's fiancee." You turn around, cross your arms and continue to say "And I though we agreed not to speak of it again." He says "hay, don't make it sound as if it was all my fault. Don't forget that you came to me that night." You reply "I thought you were a good guy and a good shoulder to cry on." He replies with a smile "and I was. And a bit more." You say "I think it's beneficial to both of us to forget it ever happened and just move on with our lives." He walks toward you from behind whispers in your ear "I can't just forget about you. And I know that you enjoyed as much as I did." You reply "you're dreaming. Maybe you should leave now. I am meeting your brother soon." Standing close behind you, he runs his hands softly up and down her arms and whispers on your ear "deep down you know you want more. Otherwise, why would you open the door to me? We both know you're a teasing slut." Shocked with what you just heard, your eyes widens and your mouth drops open. You turn around and slaps him across the face. You point to the door and say "GET OUT." Posing for a second, he looks back at you with an angry face. Then reaches out and grabs both your arms and pulls you toward him. Shocked at his assault you yell "what do you think you're doing??" He replies "I tried to be nice. But I guess you like it rough." As he starts to fondle you. You try to resist him but he is too strong for you. You scream "Stop this.. Let me go... " You twist and turn and amongst the chaos the towel flies off your head. Holding you tight against him, he roughly land kisses on your face and neck. As you jerk your head from side to side trying to get away, whipping your beautiful hair from side to side. You beg and pleads for him to stop. But it falls on deaf ears as he continue his assault by fondling your ass and breasts, while landing kisses all over your neck. Then you start to callout for anyone to help you. He quickly turns you around and covers your mouth. He tells you "do you really want people to know about us?" You think for a second and realize that if someone knew, your fiancée would know too. Realizing this you stop resisting. Still covering your mouth he kisses you up and down your neck and shoulder. Seeing that you stopped resisting he let go of your mouth and moves his hand down your body. He pulls open the robe exposing your boobs. Grabs both of them and squeezes hard. Then with one hand he fondles one of them and the other goes down to fondle your crouch. While he is doing this, you try desperately to reason with him. He turns you around again (face to face) and tries to kiss your mouth. With a disgust look on your face you keep move your head away. His kisses instead lands on your cheeks and neck. To stop you from moving your head around he grabs a handful of your hair and yanks your head backward. He pauses and gives you an evil look for a second as you look back at him and say (softly) "don't" Then he lands a deep kiss on your mouth, causing your eyes widens in horror while letting a muffled scream. He then covers your mouth with a rag until you fall limp he holds you in his arms for a moment admiring you. Still in a standing position he takes off your robe. He cradle carries you and walks around in a circle (I need to see every angle) as if looking for your bedroom. He gets to your bedroom he lays you down on of the bed. In which, your head and hair would be hanging of the edge of the bed. He takes his cloths off. Then he comes over to your head and grabs you jaw and squeezes it open. He jams his dick inside and start to fuck your mouth. He then goes on top of the bed and takes off your panties and shoes. He then climbs on top of the be and pulls you to the middle. Then he lays on top of you and continues his assault by, kissing you all over and sucking on her nipples. Slowly you regain consciousness, realizing happening, you freak out and try to push and beg him to stop. He roughly covers her mouth and says "this is going to happen whether you like it or not. It's up to you to have it the easy way or the hard way." You stops resisting and starts weeping as he continues his assault while still covering your mouth. He prepares himself to penetrate you. But before he does he asks you "you ready?" You looks back at him in horror shaking your head and mumbling "NO." He slowly thrust deep inside you as you let out a muffled scream though out the first thrust. He then pull back and thrust harder and you do the same thing. The thrust rhythm quickens as the screams shortens. He let go of your mouth and starts fucking faster. By then your screams turns to just moans as your body starts to betray you. The fight between you and your body start. He then orders you to get on all four. You obediently do so. He position himself behind you and gives you one powerful smack on your ass before he fucks you. This time he thrust hard causing you to open your eyes and mouth wide, knocking the breath out of you. He gives you few more slow powerful thrusts as you try desperately not to scream. He fucks you roughly from behind while landing few spanks on you ass from time to time. While fucking you he grabs your phone and calls your fiancée. He hands you the phone and tells you to tell him you can't make it tonight. You reply "no.. Please. I can't.." He yells back at you "DO IT" Out of fear you comply and talk to your fiancé "hay honey.... I am sorry. I can't make it tonight... I just have a terrible headache... Yes, I just need to relax... I'll talk to you tomorrow...hay... I love you... Bye." Throughout the conversation you desperately trying to muffle your moans to hide your agony. (Flinch, bite your lip, cover your own mouth, ... etc) He grabs you by the hair, pulls your head up and fucks you faster. You cant help but lose the fight with your body and cum hard on his cock. He then pulls out and guides you by the hair off the bed, on your knees and jams his dick down your throat. Holding you by your hair, he roughly fucks your throat. He gathers your hair in a ponytail and continue fucking until he cums deep down your throat. Before he leaves he tells you that he will see you again.

3 years ago 1504 20:32