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IS EVERYTHING OK? GIA PAIGE'S FIRST DP. WRITTEN BY GIA PAIGE SCENE OPENS on Sue, a middle-aged woman, as she finishes a phone call with a friend. Speaking in soft, reassuring tones, she tells the other end of the line to stay calm. Of course, they will be happy to have her daughter come and stay for a while during the separation. She knows how hard divorce be. Besides, Tiffany and her boys have always got along. She gets off the phone and, taking a deep breath, calls out to her two sons to join her for a family meeting. Dave and Mike still live at home, despite being grown men. They have it easy here, with their dotting mom, a big house, and few responsibilities. When Sue enters the living room, she finds them sprawled out on the couch watching television. She sits down and turns the TV off to announce that she has some news. They have a house guest coming today. Tiffany Wilde. Her parents are getting a divorce and her mom needs their help. The boys look at each other. 'Is everything ok with Mrs. Wilde?' Dave asks, concerned. Sue, trying not to seem flustered, replies that the mom simply can't look after Tiffany for a while. She needs to take of herself first. So, that's why they are going to help by taking Tiffany in. 'Absolutely,' Mike says. 'What do you need us to do mom?' Sue hugs her sons and then begins to pace around the room, explaining everything that they need to do to get ready for the girl's arrival. As she spits out instructions, the boys slowly glance at each other one more time. CUT to Tiffany driving in the back seat of a car, her bags beside her. She sits silently, her eyes glazed over with tears, as she stares out the window. She looks so lost. CUT TO TITLE PLATE Two weeks later. Sue watches out the kitchen window as Tiffany, Dave and Mike run around the back yard. The trio laugh and joke as they horseplay and Sue couldn't feel more relieved. She sneaks a photo to send to Diane, texting the woman that her daughter feels much better now. It's nice that she can have some space while everything gets sorted. CUT to outside. As the trio wrestle and laugh, it all seems innocent until Mike pulls Tiffany down on his lap. She wriggles to get out, still laughing, but the camera lingers on his face as we see his expression change into something more serious. The next day. Tiffany, Dave and Mike are watching TV and eating chips when Sue comes down the stairs with an overnight bag. 'My rideshare is here!' She says. Dave leaps up to help. 'Are you sure one of us can't just drive you to the airport, mom?' He asks. She tells him to relax, it's a quick drive and she'll only be gone for the weekend. She says goodbye to everyone and leaves the trio alone. They get back to watching TV and Dave nonchalantly puts his arm around Tiffany. She notices but snuggles into him anyway, because he's always been like a big brother to her. She feels so safe. CUT to the bathroom that night. Tiffany is sitting in the tub when Mike unexpectedly comes in. At first, she covers herself, embarrassed to be seen naked, but he shrugs it off. 'Chill! I just have to take a piss,' he says calmly. 'It's not like I've never seen you naked before!' Tiffany looks down at her body awkwardly. She doesn't know what to do or say and Mike picks up on this. '...At the lake, remember? Growing up? All those summer vacations our families took together?' Tiffany can't help but start thinking about the past and her eyes well up. 'That's right ...' she replies, trailing off. Mike washes his hands and, noticing the change in her disposition, sits down next to the tub. 'Is everything ok?' He asks. Tiffany breaks down and, through her tears, admits why she is really staying at their house. Her father is an alcoholic. For many years, they just dealt with it privately. Dad would spend all his free time drinking in the back with his buddies. Mom would manage. But, then he stopped working. And he started getting violent. And then he bailed, ran off with another woman. Mom tried to kill herself over it. That's why Sue took her in. Mom's still in the psych ward for evaluation. They're not sure if she'll ever get better. By the end of her confession, Tiffany is sobbing so hard that Mike reaches over and gives her a big hug. At first, it seems completely genuine, but Mike does not let go and, instead, starts to slide his hands further down Tiffany's naked back. She is so distressed about everything that she doesn't really notice. In fact, she hugs him back tightly as he comforts her. 'You know, Dave and I will always be here for you,' he says. 'We will always take care of you!' The camera lingers on his face, as he sneaks a look down at the naked girl in his arms. CUT to Tiffany's bedroom. She is just getting into bed when Dave knocks on the door, asking if he can come in. He doesn't want to intrude but Mike told him a little bit about what had happened in the bathroom and he just wanted to check on her. Blushing, Tiffany beckons him over and gives him a hug. 'Thank you for always being so sweet to me,' she says. 'Both you and your brother. I don't know what I'd do without you two!' Dave comforts her, telling her how much they love and appreciate her here. His hands start running all over her body and, after a few increasingly awkward moments, he leans in and tries to kiss her on the mouth. Tiffany backs up, confused and freaked out. 'Why did you do that, Dave?' She whispers. Dave starts getting defensive. He tells her that he was only responding to what she was doing to him. Her body language was practically begging for it. 'You were comforting me!' She replies, her voice raising. 'No, I wasn't' Dave retorts, yelling back. 'I was just doing what you wanted. You obviously wanted me to kiss you. You've been leading me on for weeks now, ever since you got here!' Mike runs into the room to see what's going on. Before Tiffany can really say anything, Dave cuts in to explain that she is suddenly playing the victim card, despite hitting on them both for weeks. 'I can't believe you would be a bitch like this,' Mike starts yelling at her. 'We have been nothing but kind and supportive and this is how you repay us? Like you're too good for us?!' Tiffany is floored, her eyes welling up in shock as Mike continues to berate her. 'You know why your mom really dropped you off, right? Because she wanted to bail on you too, just like your dad!' Tiffany starts to cry. 'It's obvious,' Dave adds, 'they don't love you. Nobody loves you!' The brothers start to laugh and joke, adding to the tension in the room. They notice Tiffany in tears and switch gears, swooping in on either side of her. 'I hate to tell you,' Mike continues. 'But your mom isn't coming back. She's going to be in that hospital for years!' They shepherd her over to her bed. 'And even though you're 18 now, you know that you have nowhere else to go,' Dave says. 'Don't you think you should be a little nicer to us? We're like your older brothers, after all!' She looks at them, wiping her eyes. 'You are like my brothers,' she pleads. 'So, I don't know why you are being so mean to me all of a sudden!' Mike rubs her shoulder, as she cringes at the touch. 'We just want to know why you're acting like this now?' He says, in a condescending voice. 'You were totally fine when I was hugging you ... naked ... in the bath.' Tiffany tries to explain but Dave cuts her off. 'I think,' he says, joining his brother in touching the girl. 'That deep down inside you might actually like this ... you are clearly longing for attention, you're just too scared to admit it!' Both brothers berate her, bullying her, egging her on to just admit that she liked their attention and was even feeding into it. At first, she denies it, but they don't let up. They keep going back and forth, manipulating her and pointing out all the instances over the last few weeks that she supposedly flirted with them. They try to make her feel guilty for leading them on. Eventually, she caves and admits that she liked their attention. She's lonely and scared. They made her feel safe. That's why she acted the way she did. She thought they were going to take care of her. Seizing this admission, Dave reassures her that they will take care of her. They always will. She just needs to take care of them too. That's what family is for.

IS EVERYTHING OK? GIA PAIGE'S FIRST DP. WRITTEN BY GIA PAIGE SCENE OPENS on Sue, a middle-aged woman, as she finishes a phone call with a friend. Speaking in soft, reassuring tones, she tells the other end of the line to stay calm. Of course, they will be happy to have her daughter come and stay for a while during the separation. She knows how hard divorce be. Besides, Tiffany and her boys have always got along. She gets off the phone and, taking a deep breath, calls out to her two sons to join her for a family meeting. Dave and Mike still live at home, despite being grown men. They have it easy here, with their dotting mom, a big house, and few responsibilities. When Sue enters the living room, she finds them sprawled out on the couch watching television. She sits down and turns the TV off to announce that she has some news. They have a house guest coming today. Tiffany Wilde. Her parents are getting a divorce and her mom needs their help. The boys look at each other. 'Is everything ok with Mrs. Wilde?' Dave asks, concerned. Sue, trying not to seem flustered, replies that the mom simply can't look after Tiffany for a while. She needs to take of herself first. So, that's why they are going to help by taking Tiffany in. 'Absolutely,' Mike says. 'What do you need us to do mom?' Sue hugs her sons and then begins to pace around the room, explaining everything that they need to do to get ready for the girl's arrival. As she spits out instructions, the boys slowly glance at each other one more time. CUT to Tiffany driving in the back seat of a car, her bags beside her. She sits silently, her eyes glazed over with tears, as she stares out the window. She looks so lost. CUT TO TITLE PLATE Two weeks later. Sue watches out the kitchen window as Tiffany, Dave and Mike run around the back yard. The trio laugh and joke as they horseplay and Sue couldn't feel more relieved. She sneaks a photo to send to Diane, texting the woman that her daughter feels much better now. It's nice that she can have some space while everything gets sorted. CUT to outside. As the trio wrestle and laugh, it all seems innocent until Mike pulls Tiffany down on his lap. She wriggles to get out, still laughing, but the camera lingers on his face as we see his expression change into something more serious. The next day. Tiffany, Dave and Mike are watching TV and eating chips when Sue comes down the stairs with an overnight bag. 'My rideshare is here!' She says. Dave leaps up to help. 'Are you sure one of us can't just drive you to the airport, mom?' He asks. She tells him to relax, it's a quick drive and she'll only be gone for the weekend. She says goodbye to everyone and leaves the trio alone. They get back to watching TV and Dave nonchalantly puts his arm around Tiffany. She notices but snuggles into him anyway, because he's always been like a big brother to her. She feels so safe. CUT to the bathroom that night. Tiffany is sitting in the tub when Mike unexpectedly comes in. At first, she covers herself, embarrassed to be seen naked, but he shrugs it off. 'Chill! I just have to take a piss,' he says calmly. 'It's not like I've never seen you naked before!' Tiffany looks down at her body awkwardly. She doesn't know what to do or say and Mike picks up on this. '...At the lake, remember? Growing up? All those summer vacations our families took together?' Tiffany can't help but start thinking about the past and her eyes well up. 'That's right ...' she replies, trailing off. Mike washes his hands and, noticing the change in her disposition, sits down next to the tub. 'Is everything ok?' He asks. Tiffany breaks down and, through her tears, admits why she is really staying at their house. Her father is an alcoholic. For many years, they just dealt with it privately. Dad would spend all his free time drinking in the back with his buddies. Mom would manage. But, then he stopped working. And he started getting violent. And then he bailed, ran off with another woman. Mom tried to kill herself over it. That's why Sue took her in. Mom's still in the psych ward for evaluation. They're not sure if she'll ever get better. By the end of her confession, Tiffany is sobbing so hard that Mike reaches over and gives her a big hug. At first, it seems completely genuine, but Mike does not let go and, instead, starts to slide his hands further down Tiffany's naked back. She is so distressed about everything that she doesn't really notice. In fact, she hugs him back tightly as he comforts her. 'You know, Dave and I will always be here for you,' he says. 'We will always take care of you!' The camera lingers on his face, as he sneaks a look down at the naked girl in his arms. CUT to Tiffany's bedroom. She is just getting into bed when Dave knocks on the door, asking if he can come in. He doesn't want to intrude but Mike told him a little bit about what had happened in the bathroom and he just wanted to check on her. Blushing, Tiffany beckons him over and gives him a hug. 'Thank you for always being so sweet to me,' she says. 'Both you and your brother. I don't know what I'd do without you two!' Dave comforts her, telling her how much they love and appreciate her here. His hands start running all over her body and, after a few increasingly awkward moments, he leans in and tries to kiss her on the mouth. Tiffany backs up, confused and freaked out. 'Why did you do that, Dave?' She whispers. Dave starts getting defensive. He tells her that he was only responding to what she was doing to him. Her body language was practically begging for it. 'You were comforting me!' She replies, her voice raising. 'No, I wasn't' Dave retorts, yelling back. 'I was just doing what you wanted. You obviously wanted me to kiss you. You've been leading me on for weeks now, ever since you got here!' Mike runs into the room to see what's going on. Before Tiffany can really say anything, Dave cuts in to explain that she is suddenly playing the victim card, despite hitting on them both for weeks. 'I can't believe you would be a bitch like this,' Mike starts yelling at her. 'We have been nothing but kind and supportive and this is how you repay us? Like you're too good for us?!' Tiffany is floored, her eyes welling up in shock as Mike continues to berate her. 'You know why your mom really dropped you off, right? Because she wanted to bail on you too, just like your dad!' Tiffany starts to cry. 'It's obvious,' Dave adds, 'they don't love you. Nobody loves you!' The brothers start to laugh and joke, adding to the tension in the room. They notice Tiffany in tears and switch gears, swooping in on either side of her. 'I hate to tell you,' Mike continues. 'But your mom isn't coming back. She's going to be in that hospital for years!' They shepherd her over to her bed. 'And even though you're 18 now, you know that you have nowhere else to go,' Dave says. 'Don't you think you should be a little nicer to us? We're like your older brothers, after all!' She looks at them, wiping her eyes. 'You are like my brothers,' she pleads. 'So, I don't know why you are being so mean to me all of a sudden!' Mike rubs her shoulder, as she cringes at the touch. 'We just want to know why you're acting like this now?' He says, in a condescending voice. 'You were totally fine when I was hugging you ... naked ... in the bath.' Tiffany tries to explain but Dave cuts her off. 'I think,' he says, joining his brother in touching the girl. 'That deep down inside you might actually like this ... you are clearly longing for attention, you're just too scared to admit it!' Both brothers berate her, bullying her, egging her on to just admit that she liked their attention and was even feeding into it. At first, she denies it, but they don't let up. They keep going back and forth, manipulating her and pointing out all the instances over the last few weeks that she supposedly flirted with them. They try to make her feel guilty for leading them on. Eventually, she caves and admits that she liked their attention. She's lonely and scared. They made her feel safe. That's why she acted the way she did. She thought they were going to take care of her. Seizing this admission, Dave reassures her that they will take care of her. They always will. She just needs to take care of them too. That's what family is for.

4 years ago 16976 6:14
After stepsisters Lucy (Abigail Mac) and Ella (Shyla Jennings) move to Los Angeles in the wake of their father's death, Lucy falls prey to a coven of vampires. With the help of her blind sister Ella and vampire hunter (Serena Blair), Lucy vows to destroy the coven matriarch Anya (Jelena Jensen) and save her own mortal soul. At the coven's mansion, Anya (Jelena Jensen) has just awakened her first-born progeny Angelica (Angela White) from her long slumber to destroy the fledgling vampire Lucy. The matriarch palpates her vagina, letting Angelica feed off her life force. Anya's supersonic hearing alerts her to the presence of her prey, Lucy and Ella. Indeed, the stepsisters are outside the coven's mansion attempting to break in and start a fire. As the vampire hunter (Serena Blair) talks them through picking the lock over the two-way radio, the front door bursts open. Standing in the entrance is the formidable silhouette of Angelica. Luckily, Serena takes her out with a tranquilizer dart, and Lucy walks into the house looking for Willow (Melissa Moore). She doesn't notice Angelica get up. Moving faster than lightening, Angelica pounces on Lucy and catches her off guard. She tackles her to the ground, rips off her clothes and tribs her pussy. As Lucy fights for her life, Ella and Serena secure the perimeter completely unaware of her predicament. Soon, matriarch Anya comes upstairs and joins Angelica in fucking Lucy on the floor. Anya parts her legs, she wants to play before the feeding. Anya and her progeny gang up on Lucy, riding her mouth, licking her pussy and tribbing the poor girl until she's sufficiently weakened, devouring her until Lucy is absorbed into the coven. Anya steps away just as stepsister Ella finally manages to set the house ablaze and rescue Lucy from the Angelica's clutches with the help of a crystal ornament. She may have saved her sister's mortal soul, but can they outrun the vampires?

After stepsisters Lucy (Abigail Mac) and Ella (Shyla Jennings) move to Los Angeles in the wake of their father's death, Lucy falls prey to a coven of vampires. With the help of her blind sister Ella and vampire hunter (Serena Blair), Lucy vows to destroy the coven matriarch Anya (Jelena Jensen) and save her own mortal soul. At the coven's mansion, Anya (Jelena Jensen) has just awakened her first-born progeny Angelica (Angela White) from her long slumber to destroy the fledgling vampire Lucy. The matriarch palpates her vagina, letting Angelica feed off her life force. Anya's supersonic hearing alerts her to the presence of her prey, Lucy and Ella. Indeed, the stepsisters are outside the coven's mansion attempting to break in and start a fire. As the vampire hunter (Serena Blair) talks them through picking the lock over the two-way radio, the front door bursts open. Standing in the entrance is the formidable silhouette of Angelica. Luckily, Serena takes her out with a tranquilizer dart, and Lucy walks into the house looking for Willow (Melissa Moore). She doesn't notice Angelica get up. Moving faster than lightening, Angelica pounces on Lucy and catches her off guard. She tackles her to the ground, rips off her clothes and tribs her pussy. As Lucy fights for her life, Ella and Serena secure the perimeter completely unaware of her predicament. Soon, matriarch Anya comes upstairs and joins Angelica in fucking Lucy on the floor. Anya parts her legs, she wants to play before the feeding. Anya and her progeny gang up on Lucy, riding her mouth, licking her pussy and tribbing the poor girl until she's sufficiently weakened, devouring her until Lucy is absorbed into the coven. Anya steps away just as stepsister Ella finally manages to set the house ablaze and rescue Lucy from the Angelica's clutches with the help of a crystal ornament. She may have saved her sister's mortal soul, but can they outrun the vampires?

4 years ago 1529 6:15
THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!

THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!THE PERFECT SON Teen Talked into Sex with Emotionally Unstable Mother and Son The scene opens on Jessy and Adam, two 19-year-old college sweethearts, as they sit awkwardly at a dining room table. The couple, who met at school, have been dating for several months and tonight Adam has brought the girl home to meet his step-mother, Mrs. Curtin. Jessy is an outspoken, liberal arts student, a sharp contrast from Adam, who dresses conservatively, studies economics, and still lives at home. But the two are in love and, despite Adam's reservations, Jessy has been the one pushing to meet his family. She is very serious about him and wants to take things to the next level. So, under the table, she squeezes his hand and assures him that everything will be ok. When Mrs. Curtin enters the room, carrying a tray of food, Adam drops his girlfriend's hand and stands up to help his mother. She is dressed immaculately and seems friendly but fragile -- there is something about the way she carries herself that is almost frantic. While her son dutifully helps her set the food down, Mrs. Curtin smiles and tells Jessy about what a good man Adam has become. Ever since she came into his life when he was a young boy, he has been just like a real son to her -- a perfect son. Jessy, bright and bubbly, tells Mrs. Curtin in turn all about how she met Adam and how much she likes him. His mother smiles and feigns interest, but you can tell she is very preoccupied with her boy. The moment he starts to move back over to Jessy's side, she comes up with some reason for him to come back to her. Adam seems aware of this and awkwardly tries to diffuse the situation but, after a certain point, Jessy begins to feel uneasy. She excuses herself to the bathroom. Once alone, Jessy closes the bathroom door and presses herself against it. She stares off into space ... something is very strange about Adam's mother! Jessy washes her hands and stares at herself in the bathroom mirror before returning to the dining room. She finds Adam sitting alone. He seems nervous and agitated. She asks him where his mother went but, before he can really reply, Jessy starts to candidly talk about how weird dinner has been. She can't believe how overbearing and clingy Mrs. Curtin is, especially since he is a grown man. Why is she treating him like a coddled child and why does he have to drop everything to care of her? It must be so annoying to still live at home; no wonder he is always so serious! As she laughs, she nudges closer to Adam to kiss him when she looks down and notices that Mrs. Curtin is under the table sucking her step- son's dick! Jessy jumps back in disgust and, after cursing at her boyfriend and his mother for being sick and disgusting, she storms out of the house. As she runs to her car and starts struggling to open the door, Adam follows apologetically after her. He begs her to stop and listen to him, he can explain everything. It's not what it looks like. It's not cheating and he doesn't consider it sex ... well not exactly .... he just has to take care of his mom this way. When Jessy accuses him of being a pervert, he reminds her that Mrs. Curtin isn't actually his biological relative ... she's just been his mom for most of his life. His father was horribly abusive and made their life a living hell so, ever since they split up, Adam has had to step in and take care of her. Mrs. Curtin is emotionally fragile and will spiral into panic attacks if he doesn't do things with her sometimes, especially when she is feeling threatened. It seems unorthodox but it is just how his family functions now. While Jessy cries and struggles to understand how her boyfriend could keep such a secret, Adam keeps trying to reassure her. 'I promise you I don't consider it sex,' he tells her. 'I just consider it being a good son. I'm helpingher keep calm. Nothing else has ever worked. Please, don't reject me because of this. I love you and I want to be with you. I swear!' Jessy asks if he will stop. Adam tells her he wants to stop and that's why he invited her over ... she is the first girl he's ever brought home. He begs her to just come inside and, together, they can explain to his mother how in love they are and, surely, she will understand that it's time to let him go. The frazzled Jessy finally agrees and follows him back inside the house. Mrs. Curtin is waiting silently in the living room when the couple arrive. Jessy is standoffish and Adam must plead with her to get her to sit down beside him. Arms crossed, she coldly tells him to start talking. Adam turns to his mom and meekly tells her that their affair will need to stop. As she hears this, Mrs. Curtin starts to cry and curl up in a ball on the couch. Adam rushes to her side to comfort her, while Jessy stands up in protest. She tells him that she's leaving right now if he doesn't make a choice. Adam looks desperate and conflicted. Through her tears, Mrs. Curtin makes a proposal: If her perfect son is really going to choose Jessy over her, she needs to at least understand why. She needs to see what Jessy has that makes her so special. She needs to watch them being together!

4 years ago 1647 6:14
ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.

ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.ALMOST IDENTICAL: Sister Must Tell Her Brother Lover They Aren't Related The Scene opens on Mandy, a troubled young woman, as she slumps on her couch surrounded by tissues. Her eyes are puffy from crying and mascara streaks mark her face. An open letter sits on the table in front of her. It's from her mother. It explains how who she thought was her brother Aaron is actually fostered, and details the story of their taboo sibling dealings for which he was arrested. The phone rings. Wiping her eyes, Mandy answers. A recording says: THIS IS A COLLECT CALL FROM THE LA COUNTY CORRECTIONAL FACILITY. YOU HAVE A CALL FROM AARON. TO ACCEPT, PLEASE PRESS 1. Mandy takes a breath and presses the button. An excited Aaron says on the other end of the line, 'sis it's me. I'm getting out tomorrow and I'm coming straight for you. I can't wait to fuck my sexy little sister again.' Mandy presses the phone to her chest for a moment before muttering 'I can't wait to fuck my brother too.' Aaron sits silently in the backseat of a taxi, as it drives towards his sister's house. Beside him is a single paper bag containing all his belongings. He stares out the window, clutching a photo of Mandy in his hand. It's been 24 months since he had her and he can hardly wait. Scene cuts to a nervous Mandy pacing in the hallway, holding the letter. She keeps trying to decide whether to leave it out or hide it. When the doorbell rings, she tucks it in a back pocket frantically and opens the door. Aaron barges in, grabbing her and pushing her up against the wall. They kiss passionately. Before she can say anything, her 'brother' pulls her jean skirt down. He has been dying to see her pussy and she, so caught up in the moment, urges him to lick her. After eating her out for a few minutes, he comes back up to kiss her and excitedly asks for a shower. Scene cuts to the couple post-shower, naked and looking at themselves in the mirror. Mandy is brushing her hair, while her brother clutches her tightly and talks about how good they look in the mirror together. Their features are so similar, it's as if they are almost identical. Mandy looks very tormented during her brother's rant, because she knows the truth that will break his heart. She starts to try and tell him about her mother's letter, when Aaron dismisses it and pulls her into the bedroom for round two. The siblings have sex in the bedroom. Throughout the sex, the brother takes the lead in fucking his sister and going back\/forth between passionate and aggressive, as he lets 24 months of prison confinement out on his younger, vulnerable sister. The more he talks about their relations, the more she tries to change the subject.

4 years ago 2416 6:14